Mystery Girl : Beautiful Actress Sadhana along with my Flute Tune "O Sajana Barkha Bahar Aayi"
Enchanting Sadhana in the Film : MERA SAAYA (1966)
(Author's Note : Please CLICK above PLAY button to play the song "O Sajana Barkha Bahar Aayi" from the Film : Parakh of 1960 which I played on my Flute, Music of original song was composed by Maestro Salil Choudhary)
Among top heroines of 1960’s Sadhana is definitely one of the most talented actresses who was very beautiful. Her simplistic beauty attracted millions of fans to cinema halls to watch her movies in1960’s. In mid 1960’s, after the release of the Mystery Films “Woh Kaun Thi” (1964), Sadhana became sort of a mystery girl to her fans. In the Film “Woh Kaun Thi”, Sadhana gave a brilliant performance and she was nominated for coveted Filmfare award for best actress of 1964. Film “Woh Kaun Thi” was a big hit of its times. Of course, she never won that prize for best actress. Mystery girl Sadhana went on to act in 2 more suspense films “Mera Saaya” (1966) and “Anita” (!967).
Sadhana was born in 1941 in Karachi before the partition of India in a Sindhi Family. Her father named her after one of his favorite heroines of his time Sadhana Bose. Her father and Hari Shivadasani (Actress Babita’s father) were real brothers. Being only child to her parents, her mother schooled her at home until 8 years of age. The family fled to Mumbai after the partition of India in 1947.
In Mumbai, Sadhana was allowed to see 2 films per week. One of the film producers saw her acting in College play at Jai Hind College, Mumbai where she was doing her post graduate studies in literature, offered a role in her first Sindhi Film “Abana” in 1958 where17 year old Sadhana played the role of younger sister of main heroine. After Filmalaya owner Subodh Mukherjee saw a photo of Sadhana in a Film Magazine, he offered her a role in Sadhana’s first Hindi Film ”Love in Simla” (1960) opposite another newcomer Joy Mukherjee who was Sashadhar Mukherjee’s son. This film had very melodious songs which were composed by Music Director Iqbal Qureshi. The songs of “Love in Simla” became huge hits on popularity charts. Sadhana looked extremely beautiful in the Film “Love in Simla”. This film was directed by another newcomer director R. K. Nayyar who created a trademark of “Sadhana Cut”. Since Sadhana had a broad forehead, to minimize its breadth, R.K.Nayyar created a new hair style for Sadhana where he shaped her hair in such a fashion so as make them fall on her forehead which was modeled after Audrey Hepburn’s hairstyle to cover up Sadhana’s flaw, her broad forehead.

Enchanting Sadhana in her First Film : LOVE IN SIMLA (1960)
Debut Film “Love in Simla” was a great success and Sadhana became an overnight star. “Sadhana Hair Cut” became a rage among teenage girls all across India during 1960’s. What was to cover up broad forehead of Sadhana became an instant fashion all over India.
In 1960, during the shooting of the Film "Love in Simla", 16 year old Sadhana fell in love with its Film Director 22 years old R. K. Nayyar. But at that time, Sadhana's parents vehemently objected to R.K.Nayyar getting married to Sadhana and they threatened R.K.Nayyar of dire consequences and R.K.Nayyar got scared and backed off from marriage. However, in 1966 after Raj Kapoor reintroduced Sadhana to R.K.Nayyar, they got married without caring for anybody's objection. Maybe it was a "Janam Janam Ka Saath" set up by their destiny.
Later in the Film “Waqt” (1965), Sadhana started the trend of tight Churidar Pyajama and Kameez by wearing it in “Waqt” as a lead heroine. Her acting in the Film : Waqt was superb and she was nominated for second time for Filmfare award as best actress. She did not win the award anyway.
Mystery Girl Sadhana in the Film : WOH KAUN THI (1964)
Sadhana subconsciously styled her acting after her idol Nutan. Her simplistic looks and acting style in Hrishikesh Mukherjee directed Film “Asli Naqli” opposite chocolate hero Dev Anand reminded the audience of Nutan. Although Nutan was a much superior actress of the time.
Sadhana looked extremely beautiful in Navketan Films “Hum Dono” (1961) which was a big hit of the time. “Hum Dono” had very melodious music by Jaidev who deserved a Filmfare award for best music direction for the year 1961. Of course, Jaidev did not win the award. Sadhana was a close personal friend of Dev Anand and Dev Saab always made it a point to invite Sadhana at his birthday party year after year at his Juhu residence in Mumbai.
Another Film in which Sadhana looked very beautiful was “Ek Musafir Ek Hasina” (1962) which had lilting melody in every songs composed (mostly based on Raga Kedar) by none other than Maestro O.P.Nayyar Saab who is my favorite Music Director.O.P.Nayyar deserved to win Filmfare award for best music direction for the Film “Ek Musafir Ek Hasina”, but never got one, very similar to the situation when S.D.Burman did not win Filmfare award for best music direction for the Film “Guide” (1966) although it was SD’s best music score of his lifetime. In those years of 1960's, when it came to bagging Best Music Director Filmfare Award, Shankar-Jaikishen proved to be nemesis for most of their competitors. Film “Ek Musafir Ek Hasina” saw an enigmatic and mysterious side of Sadhana.

Not so Beautiful Sadhana as portrayed in the begining of her Debut Film : LOVE IN SIMLA of 1960
Film “Arzoo” (1966) opposite Rajendar Kumar had a very romantic plot and very melodious music by Maestro Shankar-Jaikishen. Now who can forget that Raga Desh based song “Aji Rooth Kar Ab”. This song comes out very beautiful when played on Flute. This is one of my favorite songs which I play on my Flute whenever I happen to sit on the bench of Flushing Botanical Gardens. And everyone loves to listen to it being played on Flute.
Sadhana looked most beautiful in the movie “Mere Mehboob” (1963) opposite Rajendra Kumar where some of her close-ups were simply brilliant to look at while watching that unforgettable colored movie which had a very good story based on Muslim Social theme.
"Abhi Na Javo Chodkar": Dev Anand and Sadhana in Hum Dono
"Ek Boot Banavoonga" : Dev Anand and Sadhana in Asli Naqli
In her acting career, Sadhana worked with many leading heroes of the time such as Dev Anand, Raj Kapoor, Shammi Kapoor, Sunil Dutt, Rajendra Kumar and also Kishore Kumar in the Film "Manmauji". Now who can forget that Kishore's funny song "Zaroorat Hai, Zaroorat Hai" composed by maestro Madan Mohan.
In mid-1960's, it was Raj Kapoor who had introduced Sadhana to director R.K.Nayyar with whom she got married in 1966.The marriage lasted until R.K.Nayyar’s death in 1990’s. They were bad times for Sadhana. She had no children because of her miscarriages. During late 1960’s, Sadhana had health problems due to thyroid and went to Boston for treatment and recovered and delivered more hits through the Films “Inteqam” (1969), “Ek Phool Do Maali” (1969), “Ishq Par Jor Nahin” (1970) etc. But her looks in these films after thyroid treatment was completely spoiled since thyroid treatment affected her eyes which became evident to cinegoers and she soon started loosing fan following. Film “Geeta Mera Naam” (1974) was her last significant film although she did act beyond 1974. As a lead heroine, Sadhana acted in 33 Hindi Films.
One point I want to bring out here is that whenever today's Top Actress Kareena Kapoor smiles, her smiles show up features of smiling Sadhana. And do not forget this similarity in their features is due to Kareena Kapoor being niece of Sadhana since Kareena's mother Babita happens to be icousin sister of Sadhana.
In 1970’s, after realizing that her days were over, Sadhana decided to quit Film Industry as she was not interested to act in supporting roles of elder sister or a Bhabhi or a mother etc. Sadhana wanted her fans to remember her as a young beautiful heroine of her heydays of 1960’s.
Sadhana did several films with famous director Raj Khosla such as “Ek Musafir Ek Hasina” (1962), “Who Kaun Thi” ((1964), “Mera Saaya” (1966) and “Anita” 1967 and unfinished Film “Sajan Ki Galiyaan” (1968) opposite Dev Anand which was never completed. Director Raj Khosla always said that he had become a sort of family friend to Sadhana and he knew her strengths and weaknesses as an actress very well and he always felt very comfortable to direct her and vibed very well with her.
Sadhana who is at the time of this writing is 67 years old and lives alone in Mumbai and does not like to be photographed. However, another Film Actress of her time Asha Parekh and Sadhana are very close friends. Asha Parekh, Sadhana, Mala Sinha, Nanda (all of them are now lonely) get together and enjoy each other’s company while remembering their Great Times of 1960’s when they ruled Bollywood.
Please CLICK below You Tube LINK to listen to very melodious song “O Sajana Barkha Bahar Aayi” composed by Maestro Salil Choudhary for Bimal Roy Film “Parakh” of 1960.
http://www.youtube.com/watch?v=yX05R9ui7s0http://www.youtube.com/watch?v=yX05R9ui7s0
Also CLICK below YouTube LINK to watch another Melodious Duet composed by Maestro Shankar-Jaikishen for the Film Asli Naqli with Dev Anand and Sadhana. In this song Sadhana looks very Graceful as well as very beautiful. A rare combination.
http://www.youtube.com/watch?v=G8uSoX18tJs
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Kalyanee,
Thanks for your response. Whenever you have time you may read my short story. And I will appreciate your comment only if you wish to place one.
Regards,
Dr. Kamath
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Dr. Kamath,
For some technical reason, I am unable to send a note to you, hence this comment.
I will read the blog you mentioned.
regards,
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a nice blog about Sadhna
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Dear my utterances,
Thanks a lot for your second comment. I am glad that you liked my Flute Tune. Also I am happy to read that your Mom liked the first blue picture of Sadhana attached at the begining of my blog. Please give my regards to your Mom. Yes. I liked your suggestion. I am going to write a blog on my ( and yours also) favorite actress "Nutan" sometime in near future. "Nutan" is on my list.
So Long!
Kind Regards,
Dr. Kamath
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Dear Dr Kamath
I could listen to the flute attachment today. I liked it. As always....
Have you thought of writing about Nutan? She was one brilliant actress of her times. I am planning a songs bouquet on/of Nutan. Mom also liked the blue pic here. Cheers!!
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Dear Dr. Bhagwath,
Thanks for your response. Nice to read your comment once again after a very long time. I am sure your little daughter is keeping you very busy and you hardly find time to devote on Sulekha. Glad to know that you liked my Flute Tune. I am sure Mr. Nathan will reply to your answer on movie "Badal". Let us hope Nathan Saab reads your comment here.
With Best Wishes to you and Your Family,
Kind Regards,
Dr. Kamath
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Kalyanee,
Thanks for your response.
Regards,
Dr. Kamath
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Dear Sir,
Its been a really long time from my side. As you may be aware, I am totally absorbed in my fulfilling duties of faherhood. It does not leave me any time for anything else. When my youngest one flashes her million dollar toothless smile, I am reduced to helplessness! Kya karein, aap hi bataiye!
The blog was a masterpiece in every way. The flute tune was simply marvellous and I enjoyed the rendition.
I think the answer to second question of Nathan Sir's is "Badal" Sanjeev Kumar's first film. Lets hope I get it right.
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Dr. Kamath,
I was away from Suls but glad to have read dis blog.
Thats a lot of info on Sadhana. She was a beautiful actress, with lovely eyes....liked her in Hum Dono and Mera Saaya.
Kalyanee
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Dear Shri S. V. Nathan Saab,
Thanks for burning midnight oil to write such an outstanding and lengthy comment. Ab mera blog complete ho gaya. Aap ki comment padh kar mujhe O.P.Nayyar Saab ka vo antara yaad aa gaya vo main aap ke comment ko pesh karata hoon:
Kadam Chum Loon Ya
Ke Ankhe Bichadoo
Karoon Kya Ye Meri Samajh Me Na Aaye, Ae Ae Ae
Bahut Shukriya, Badi Meherbaani
Meri Sulekha Ki Zindagi Me
Huzoor Aap aaye!!!!!
Your comment is outstanding and very precise indeed. I am glad that you enjoyed my blog very much.
Aap Ne Ye barabar Jaan Liya, Ke out of all heroines why I chose Sadhana. Is me Zaroor Koyi Raaz to Hai he Hai. Lekin Ye Raaz Main Aap Ko Public Forum Me Nahin Bataa Sakata. Jab Hum Aur Aap Mumbai Me Milenge Tab Matunga Ke Anand Bhavan Me Baith Ke Uske Baare Me Baat Karenge!!! Just Joking Yaar! Do not take this seriously!
Yes. You are damn right. Sadhana was my one of my most msot favorite heroines. I always liked her Gracefulness and Simplistic Beauty of Sadhana. She was very very charmimg indeed. That 'Sadhana Cut" always allured evreyone.
Yes. Like my other Bollywood Articles, I did lots of research to write this post on Sadhana.
You correctly pointed out that I did not play the prelude of Beautiful Sitar Music in my Flute Tune. First of all, I never tried to play and practice that piece of Sitar on my Flute. I will try it now. Moreover, that Sitar Tune is very difficult to play on Flute. Only Maestros like Pt. Chaurasia can play such pieces (Called in Classical Language of Music as "Jod Jhalaas"). But I will definitely try that on my Flute. I may be able to play it.
That other piece "Jao Mera Jiyara" sounds different in my Flute Tune because on some instruments the vocal notes reproduced sound different even if they are same notes as sung in Vocal of the song. Moreover, it is difficult to play this song on Flute since it is based on Raga Khamaj.
Vo Jo aap ne Quiz diya hain, Uska Jawaab Mere Pass Nahin Hain, aap Ne Mujhe Is Quiz Me Flat Kar Diya! Now you will have to give me the answers to that quiz of yours. See : Even I also do not know many of Bollywood things.
I liked the choices of your songs mentioned in your comment. Note that song "Likha Hai Teri Aankho Ne" is from SDB' composed Film "Teen Deviyan" in which Sadhana did not act.
When I mentioned those 4 heroines being lonely, I meant either they did not get married or they got married but are now divorced or their spouse is now dead. Obviously any one of these unfortunate events will make them lonely. It is very unfortunate to see these once glamorous actresses being lonely in their old age. But what one can do? This is the reality of life.
Anyway, thanks once again for your time. You really wrote your comment very precisely and very thoughtfully by dealing with various aspects of Sadhana.
Warm Regards!
Dr. Kamath
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